Raag Bhimpalasi 01 – Aroh Avroh Sthai Antara

Aaroh (Ascending): S g M P n S.
Avroh (Descending): S. n D P M g R S
Mukhyang (Main Notes/Pakad): .n S M , M P g , M g R S
Gat (Composition):
Sthai (Constant):

SR.nSSgM
DirDaDirDaRa
TaTaDhinDhinDha
3
1213141516
PPPPP
DaDaRaDir
DhaDhinDhinDha
x
1234
gMMPM
DaDirDaRa
DhaDhinDhinDha
2
5678
gRS
DaDaRa
DhaTinTin
2
91011

Antara (Middle):

ggMPPnS.
DirDaDirDaRa
TaTaDhinDhinDha
3
1213141516
G.R.R.S.n
DaDirDaRa
DhaDhinDhinDha
x
1234
DPPMg
DaDirDaRa
DhaDhinDhinDha
2
5678
gRS
DaRaRa
DhaTinTin
2
91011

Vadi swar (Most used note): M
Samvadi swar (Next most used note): S
Time of playing: Third period of day – afternoon

1. Raag Bhimpalasi uses only 5 notes in ascending and all 7 notes in descending order. Re and Dha are not used in ascending order and these are used in descending order
2. Ga and Ni are Komal (flat) represented by g and n
3. Pluck Da & Ra as indicated below the notes
4. View movie to understand better
5. A dot after the note shows higher octave
6. A dot before the note will show lower octave.
7. This Gat (composition) and Toda are in TEEN TAAL, which is 16 Beats and is written at 3rd to 5th row
8. View movie several times to understand clearly.

  1. Raag Bhimpalasi uses only 5 notes in ascending and all 7 notes in descending order. Re and Dha are not used in ascending order and these are used in descending order
  2. Ga and Ni are Komal (flat) represented by g and n
  3. Pluck Da & Ra as indicated below the notes
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